Signal Intelligence
signalsRisk Assessment
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digital microphone technology on stage the sound of the neumann vocalist microphones connecting to aes 42 aes ebu and s pdif the microphones kms 104 d and kms 105 d are the transition of the well established kms 104 105 analog microphones into the digital domain based on the aes42 standard these microphones are an ideal choice for live and on stage applications they provide all of the features of their analog counterparts additionally they offer the advantages of the digital circuit technology such as extended dynamic range a more robust operation emc safe and the avoidance of clipping as a result of the integrated peak limiter compressor use of one of the digital microphone interfaces together with the remote control software rcs permits pre programmed settings to be stored in the microphones features neumann sound on stage excellent transparency for vocals speech cardioid supercardioid polar pattern with excellent feedback rejection without off axis coloration effective pop shielding without any side effects set includes stand clamp the legendary neumann sound in the digital realm pure neumann capsule sound the satisfaction of recording the uncolored original with no bottlenecks between the capsule and the recording system the guarantee of having one of the best a d converters available anti clipping processing ensures handling safety and reduces stress reduced time requirements and personnel costs particularly due to faster post production processing lower investment costs since separate a d converters and preamps are no longer needed this also means space and weight savings e g in the ob van technical dataacoustic transducer pressure gradient transducerdirectional characteristic cardioid supercardioidfrequency response 60 hz to 20 khzfree field sensitivity1 47 dbfsequivalent noise level ccir3 27 dbequivalent noise level a weighted3 16 db asignal to noise ratio2 ccir3 67 dbsignal to noise ratio2 a weighted3 78 dbmaximum spl at 0 dbfs 141 dbspldynamic range a weig